Fujicolor Superia X-TRA 400 is a high speed daylight-balanced color negative film featuring Fujifilm's
4th Color Layer technology to produce vibrant, yet naturally appearing
colors with smooth skin tones and repeatable results under mixed
lighting conditions. A nominal sensitivity of ISO 400/27 is well-suited
to use in a variety of conditions, and Super Fine-Sigma Grain
Technology yields an unobtrusive, fine grain structure with high
sharpness to benefit scanning and printing applications.
Ilford's XP2 Super is a high-speed chromogenic black and white
negative film that can be processed alongside conventional color
negative films in C-41 chemistry. It has a nominal sensitivity of ISO
400/27, however can be under- or overexposed in order to adjust
contrast as well as the balance of grain and sharpness. When rated at
ISO 400, the most neutral balance between a fine grain structure and
high sharpness will be afforded. Its wide exposure latitude can also be
used to better control highlight and shadow values, as well as an
expansive range of middle tones. Additionally, XP2 Super is designed for
printing on traditional black and white papers, with Multigrade
contrast filters, as well as on RA-4 color papers with maintained print
Kodak Professional Ektar 100 is a daylight-balanced color
negative film characterized by an ultra-vivid color palette, high
saturation, and an extremely fine grain structure. Utilizing the
cinematic VISION Film technology, this film's smooth grain profile pairs
with a micro-structure optimized T-GRAIN emulsion to make it especially
well-suited to scanning applications, and advanced development
accelerators offer extended versatility when making enlargements. Ektar
has a nominal sensitivity of ISO 100/21, and advanced cubic emulsions
and proprietary DIR couplers render it with high sharpness, fine detail,
and a well-defined edge quality. The combination of rich colors, fine
grain, and optimized sharpness benefit this film's use for nature,
travel, and outdoor photography, as well as fashion, product, and other
Kodak's Professional T-Max 100 is a medium-speed panchromatic
black and white negative film characterized by an extremely fine grain
structure along with high sharpness and resolving power. By utilizing a
T-GRAIN emulsion, the grain pattern resembles a patterned, tabular form
that maintains effective film speed while reducing the appearance of
grain during enlarging or scanning. This film has a nominal sensitivity
of ISO 100/21 and also features a wide exposure latitude, broad tonal
range, and responds well to push development and zone system development
Kodak's Professional T-Max 400 is a high-speed panchromatic black
and white negative film featuring a unique T-GRAIN emulsion to provide a
very fine grain structure with a high degree of sharpness and edge
detail. It has a nominal sensitivity of ISO 400/27 along with a wide
exposure latitude for rating the film up to EI 1600 and push developing.
Its versatility benefits working in difficult lighting conditions and
with moving subjects, and its fine grain profile, broad tonal range, and
high resolving power benefit scanning and enlarging applications.
Additionally, the film is well-suited to scientific and biomedical work,
especially when fluorescence in photography is required.
This is a 36 exposure roll of T-Max P3200 Professional Film from Kodak.
It is an ISO 3200, continuous-tone panchromatic black-and-white
negative film that combines high speed with finer grain than that of
other fast black-and-white films.
Kodak's Professional Tri-X 400 Black and White Negative Film is a
classic high-speed panchromatic film designed for a wide array of
shooting conditions. Characterized by its fine grain quality, notable
edge sharpness, and high resolving power, Tri-X 400 also exhibits a wide
exposure latitude with consistent tonality. It has a nominal
sensitivity of ISO 400/27 when developed in standard black and white
chemistry, and responds well to push processing. As an all-around,
highly versatile film, Tri-X 400 is a standard choice for photographing
in difficult lighting conditions as well as when working with subjects
requiring good depth of field or for faster shutter speeds.
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